The Marjorie E. Peale Prize Winner:
Ashley Crout
Honorable Mentions:
: Mary Louise Hudson, Brian Slusher
THE TIDE AND THE AIR ABOVE IT
We inhabit Edisto in a borrowed house
one row backwards from the eroding beach.
The pale scent of the sand soaked in brine
gathers in my mouth. I swallow the hazed
heavens each predawn morning, waiting
for the sun to lift the boiling blush of its face
over the flat edge of the ocean. Its horizon line
defines where the sky either begins or ends us all.
The edges of insistent light have the gentleness
of a room as quiet and delicate as an infant asleep.
For a season my face is flushed with a sky
empty of everything but a blistering glare.
I glow like an ember all night, sleep restlessly
in my own ashes. My father speaks distantly
of the unsalted rivers that curve into the sea
and a landlocked boat he had once that rotted
its wood and rusted its rudder in dry inland grasses.
I did not expect pelicans the color of a cold night
to lower so close to the hiss and roar of this water
that pulls the particles of the shore to the floor
of the ocean, then returns them, then returns
for them again. Nothing headless changes its mind.
This is just a pattern like the migration of birds
whose flight follows the shifts in weather.
I did not expect flocks of pelicans to lower
their deep pocketed beaks beneath the waterline
and feed on the sea, these predator creatures.
This is how innocents kill in innocence. All
is instinct—what is done and will be done,
what began in the first doings of the world.
Judge’s Comment:
A gentle meditation on a scene that travels deep into memory with exquisite line breaks and just the degree of description to lull the reader. All is dynamic action, reverent sensation, with sonic textures that allow anyone who has loved beaches to relate to this very specific spot