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The Patricia and Emmett Robinson Prize
Frances Pearce
Front Row
In London for a friend’s book launch
at Somerset House on the Strand,
I pack my days
and nights with activity –
lunch with a former roommate
at her Fleet Street club,
a Vivaldi performance
at St.-Martin-in-the-Fields.
But it’s the Shakespeare matinee
at the Theatre Royal Haymarket,
where I can touch the stage floor
without leaving my seat,
that would have most impressed
16-year-old-me. Back then,
I applauded Richard III and
other plays written by the bard,
staged by itinerant thespians
during assemblies at our rural school,
never imagining that one day
sexagenarian-me would behold
Much Ado About Nothing in London,
where this diverting comedy,
performed by celebrated actors, would
become much ado about something else.
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